Dears!I ask you permission to introduce to you some ideas and explanations that come through my mind.
Neolithic
I’m not talking as an architect, but as someone that’s trying to observe some details, which even existent some years ago, I hadn’t perceived.
In the end of 2009, I suffered an accident.
I've had a traumatic brain injury, so I've had to rehabilitate myself back to the ordinary world.
For more sad that it can seem, I have to say that it was an unique experience in my life.
I passed to look at details in my life, things that are there all the time, but in a sleepy way.
These days, for example, I started to think about an house, a simply home.
When I was in the architecture school, I’ve been teached, about walls, structures, roofs and other things usual in an architect's life.
Well, thinking one more early, there in the Paleolithic Age, when a man entered into a cavern, and he realized that he could live there, he already was making architecture.
Paleolithic
man
Of course, with the time, he's been discovering the possibility of constructing some tools, and the use of the fire in his favour.
And it was changing his form of facing the world, and so comes constructions, houses, palaces, graves,…, what’s wrong in that?
I read sometime, in a book called “The history of the city”, by Leonardo Benevolo, that the man started, in a moment of his life, to feel the will of guarding his deads, so he could to return to visit them, that means that the city of the living, started with the city of the deads.
But what is the diference between the space, the group of atoms existent in the first cave and the moderns houses?
Maybe the crust, either the inside like the outside
This crust was used in many moments, …, for kings, kingdoms, for the church, but the essence keeps the same.
SAN PIETRO
BASÍLICA
source
I’m not forsaking the idea of the forms in the architecture,…, the way of making my ideas escape from my mind.
But the interior is something which intersects, with so many details, like veins, that all the moment find themselves.
Besides, nowadays there are so many dimensions to look at, increasing the old space that we already know.
If we look the cords theory, we think about so many others dimensions like mass, time, and charge…
Sorry my voyage and if I seem so vain , but I hope that, maybe, I have gotten to make someone think like me,…, and with me.
Grateful!
Leandro Salerno Santos - architect and designer.
AMICI ITALIANI
SOLO PENSANDO NELL'ARCHITETTURA
SOLO PENSANDO NELL'ARCHITETTURA
Io prego a tutti voi, permissione di potere parlare un poco circa di mia forma di vedere l’architettura.
Fino a che punto la forma è importante e fino a che punto, questo è obsolete?
Quanti particolari possano essere percepito in un ambiente, in una camera, in una facciata.
Io solo sto provando mostrare un'altra scena non solo della archittetura, ma anche della vita, fin agli età paleolítica, in grotte, fino a che l’uomo ha scoperto l’ingegneria, delle strumenti, e costruzioni moderni.
Ma non possiamo negare l’importanza della forma in tutti gli tempi.
Ma non possiamo negare l’importanza della forma in tutti gli tempi.
Grato!
Leandro Salerno Santos – architetto e designer.
AMIGOS DE LENGUA ESPAÑOLA
APENAS PENSANDO EN LA ARQUITECTURA
APENAS PENSANDO EN LA ARQUITECTURA
Eso es solomente una descripción del mi forma de ver la
arquitetura.
La importancia de la forma, desde el hombre en la cueva,
passando por las iglesias, palacios, construcciones modernas hasta hoje.
Y cuantos
detalles puede percibe en un solo ambiente.
Leandro Salerno Santos - arquitecto y designer
AMIS DE LANGUE
FRANÇAIS
SEULEMENT RÉFLEXION IN L'ARCHITECTURE
SEULEMENT RÉFLEXION IN L'ARCHITECTURE
La mon façon de
voir la architeture.
C'est le chose,
qui je essayer parle.
Depuis l'homme
des cavernes, jusques a la derniere construction moderne, sans nier forme, e
son importance en la histoire.
Merci beaucoup!
Leandro Salerno
Santos - architect et designer
